#so it’s true most of the time

[gongyussy]

forget about elon musk vs mark zuckerberg. i need to see yoshiki fight elon musk.

update: x japan has released its first single in eight years. to further shade elon musk. this is a thing that happened.

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[tawnysoup]

Learning to accept support

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[oscargender]

Idk unpopular opinion but. Buying a puppy from a responsible breeder who doesn’t allow any dog they’ve bred to end up in a shelter is a morally neutral act

[kettlefire]

Prepare for the unexpected. (DPxDC)

Everyone knew about the reign of Pariah Dark. Even those who did not dabble in those realms have heard the tale of the tyrant. A power-hungry man who ruled over the dead with an iron fist.

Following the rise of Pariah Dark, his realm had been effectively cut off from communication. Many mystics and magic users knew better than to open the door of nightmares that could arise if Pariah Dark's reach went further than his own realm.

Except, the universe had plans to bring the realm of the dead back into the cards.

A new opponent, one that had all of Earth's heroes scrambling for options. A being with powers of a god over weather, destruction was on the horizon. A world ending threat.

It's the only reason the Justice League was doing this. In a deep bunker, far from close civilization as a precaution, the heroes looked on with grim expressions.

The world was already being threatened. It would be destroyed regardless of what the league did. So it only made sense to make the last ditch effort. To summon someone strong enough to defeat the threat.

No one wanted to do it. No one wanted to be the one to pull the realm of the dead back to the living. The consequences were untold if this succeeded. If Pariah Dark was freed and defeated the threat, whose to say he won't want control?

That was a problem for later. For the aftermath. For now, the league could only watch on with bated breath as Constantine completely the summon ritual.

They watched on as the shadows in the room seemed to darken and grow. As the sigil sputtered to life with a glow that was growing increasingly brighter. A sudden gust of wind rushed through the room, the temperature began to drop with eaching ticking second.

And then it was all gone.

The room stood perfectly still. Just as it had been moments before. Nothing changed. No giant king standing before them, no sign that the ritual worked.

The room stood deadly still for another beat before the murmurs started. The team trying to make sense of the situation, figure out what went wrong.

Constantine swore up and down that this was the correct ritual, taking offense that they would even think the problem was on his end. It only made it better when it finally happened.

A loud sound ripped through the room, pulling everyone's attention back to the summoning circle. Just in time to see a tear appear in the space above the circle.

A thin tear that ran the length of eight feet. The fabric of the dimension seems to curl at the edges, pulling back to reveal a deep glowing swirl of greens. A dark gloved hand reached through, fingers curling around the edge of the tear, stretching it even further.

A portal. The ritual had worked, but there had been a delay. A delay that had every hero nerves on edge. Each team member tensed, weapons at the ready as they watched the being stretch the portal to the right size.

Then, a foot stepped out with a heavy thud. A dark boot that looked otherworldly despite its similarity to mortal clothing. A deep black that seemed never-ending. A second foot quickly followed before a full body emerged from the portal.

Not many people in the room have ever seen Pariah Dark, let alone know what to expect. Based on what Constantine and Zatara had said, this wasn't Pariah Dark.

A man had stepped out of the portal, standing at almost seven feet tall, and built like a brick house. One glance at the glowing white hair, deadly red eyes, and shard teeth was enough to know this being was not to be messed with.

But there was no giant show of armor or royal garbs. There is no large crown at the top of his head or jewelry from the infinite realms laced around his neck.

Instead, the man stood before them in combat boots, worn-in ripped jeans, a graphic t-shirt, and a spiked leather jacket. Despite his almost normal clothing choice, the man's jacket seemed to be a never-ending depth of the dark night sky. If one was to look closely enough, the cosmos could almost be made out in the sea of darkness.

None of that would have prepared them for when the man spoke. His tone sounded more bored than anything as he took a step forward.

"Oh, so now you need the help of the dead." The man had spoken, running a hand through his hair. When Batman took a step forward to speak, the man raised a hand. Immediately commanding silence in the single gesture. "I'm on babysitting duty and have yet to have a cup of coffee. I'll be right back."

Just like that, both the man and portal vanished into thin air. Leaving behind a group of stunned heroes. Not only was the man not Pariah Dark, but he was also supposedly babysitting.

"Did that just-"

The Flash had been the first voice to speak up, his eyes trained on where the man had once stood. Except he had barely made it through the first few words before the man was suddenly back.

The man that now had a child hanging off his shoulders and another teen being held up by his scruff. Unlike the man, these kids looked human.

Too human for Bruce's liking. The dark black hair and bright blue eyes had every heroes eyes flickering to Batman for just the briefest moment.

"This isn't fair! I'm not even the king. Why do I have to be here!" The teenager had been complaining the moment the man had reappeared. Arms crossed tight over his chest and seemingly used to being held dangling. "Besides, who brings kids to a show down! Wait til I tell mom about this."

"Aw, come on, Danny. This is gonna be fun!!" The younger girl seemed in much better spirits than the teen, Danny. She had climbed up the large man, sitting on his shoulders and resting her arms on the mess of glowing hair. "It's like take your kids to work day! Ooo, Dan! Can we fight too!?"

Unlike the two kids, the man looked purely exhausted and annoyed. The man, Dan, dropped Danny like a sack of potatoes as he took a long drink from the travel cup in his hand.

It didn't take a genius to recognize the look of an exhausted parent in Dan's expression. A look many of the league members were well acquainted to. A look that even had Batman grimacing with sympathy.

"Can it, little shits. You two were grounded, remember." Dan had growled at the kids before shifting his focus back on the team of heroes before them. His glowing eyes set in a deadly glare. "Pariah Dark isn't coming, and he never will. He's been dethroned and banished. We're the best you've got."

A summoning that started with a group of on edge and scared heroes looking for the ghost king, ended in a way no one expected.

No one was even sure if it made any sense. They weren't sure if they should feel hopeful or in despair.

Because truly, what was a ghostly man with two seemingly human children against a godlike foe with the control over the weather?

The unspoken question of power and ability seemed to vanish following Dan downing the metal travel cup of coffee, and crushing it in his fist.

He tossed it to the side, straighting up his posture as he looked over the heroes. Dan might not be a hero, but he's been playing family for too long.

An almost feral, bloodhungry grin spread across the man's face, sharp fangs on full display. The look made the man suddenly look even less human. He looked closer to a demon from the pits of hell rather than the exhausted parent he looked just a few seconds ago.

"Point me in the direction of this bastard. It's been too long since I let loose and had some fun."

[poorly-drawn-mdzs]

At your side [End of Season 2]

[First] Prev <–-> Next

[red-moon-at-night]

okay the whole vase is great but something about Helen sitting on Aphrodite's lap as she wraps one arm around her shoulder and brushes her leg with her hand, staring into her eyes like that... as she is persuading Helen to go with Paris (while Peitho aka persuasion stands behind them) is so incredibly iconic.

and gay. toxic yuri, if you will.

[skymantle]

what does it all mean.

[astronomodome]

I think it’s kind of crazy how Skizz’s arc in the life series is so integrally defined by his being a loyal soldier of the Red Army in third life, a position in which he felt comfortable and confident in his value to the server. The archetype he sees as the ideal team, one that not only protects each other but works for the wellbeing of the server, that template that he follows is the Red Army. Every season since, he falls into a leadership role whether he intends to or not, and every time he tries to recreate that formula with the team he leads. And here’s the thing: it never works.

In Last Life, team BEST’s first objective is to not only secure the enchanting table, but to make it free to use for everyone. Their goal here is to become the “heroes of the server” through this, and Skizz openly says that. However, any victories they achieve are plagued by the fact that… well… there never really was a team BEST. There’s a team BE and a team ST and they work together in theory, but as soon as there’s cracks in the foundation- a boogeyman here, an accidental death there, it falls apart (never all the way while Skizz is alive, but still). Skizz dies a lonely failure of a red life, wearing the initials of his team on his head and haunting them after he dies.

In Limited Life, he gets a chance to try again. Bdubs was the most obvious point of failure for BEST, so why not replace him with sweet and reliable Impulse? And yes, as a group, TIES works much better. Unfortunately, this season doesn’t go well for Skizz, and he’s in the weeds so to speak pretty much the whole time. But one of their crowning achievements- blowing up Bread Bridge- is rationalized by Skizz to his team as a heroic and charitable act. Another set of heroes. But not the strongest players out there. Skizz dies to keep it going just a little longer.

In Secret Life, he has the Heart Foundation, which differs a lot from what Skizz claimed it to be. On paper it’s three people, but in practice it’s just him and Tango (I love BigB but he really was not the most engaged with the group here). On paper Tango’s the leader, but Skizz can’t really keep from taking charge. Again, we get a charitable motive: using the heart-giving system for good (and profit, of course). And Skizz even has plans for when it goes south: they turn the heart’s smile upside-down and start killing. But even this plan fails; as in Last Life, people take advantage of the team’s kindness, and then the heart itself burns down before they get a chance to change it. Skizz dies trying and failing to right this wrong, even by proxy.

What makes this so so interesting is how formulaic it is. I don’t even mean that in a bad way. It’s fascinating how Skizz always, always falls into this pattern. Icarus reaches for the sun and, for his hubris, falls the same way every time. And Tango is there

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[idontmindifuforgetme]

Going to get into the habit of carrying my journal everywhere w me bc I truly want to soak up every snapshot of this transitional period where I’m just a 22 year old girl finding my footing and the only thing I’m tied to are the decisions I make and the path I carve for myself

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[ladybeug]

the other day at work i saw someone with platform uggs. just thought you might enjoy that

Thats it. Thats the comic. Im using that horror movie technique where its scarier if you don't see the monster.

anyways this is such a throwback. you always send me the shit that somehow makes me laugh, I am remembering a specific one that I swear was ten years ago. anyways

[superbat-lmao]

A Jayroy fic where Jade drops off baby Lian and they just.. retire.

There’s a really difficult conversation they have about dating and raising a kid and vigilante work and they decide screw it. It’s not safe to raise a kid around.

And by retire, I mean they disappear. Go to ground.

(Talia knows what it is to want the best for your child even if they have different opinions on what best is. She gets them off the grid and funded in some sort of suburban hellscape that takes the both of them a while to adjust to. They say they have a deep space mission and just, don’t come back.)

Roy works in a rehab clinic and Jason gets a degree in Literature. He becomes a professor at a small college, taking on graduate students and falling into academia.

They go to therapy, the make friends with other parents, they become normal people. And they have an insane security system for their house, and AI that scrapes cameras of their faces, and a modified basement that Roy compares to the Batcave exactly once that has a gym and space to work on equipment and a method of escape should it be necessary to uproot their lives again.

Because they want to be civilians, but that doesn’t mean that if their past lives come knocking, they’ll be caught unaware and too out of the game to defend themselves. In fact, because they don’t go on patrol, they’re at peak performance at all times and rarely injured more than a sprained wrist or paper cut. Gone are the days of concussions, GSWs, and stab wounds.

The superhero community doesn’t know what to do, what to think. Because all of their resources are expended elsewhere. And because space is a big place, and trying to find two humans in its vastness is an exercise in futility.

So Lian grows up normally. She’s a girl whose parents love her. And her problems are ordinary, like homework and sleepovers and playing soccer.

And when she’s in middle school, the same age as Roy and Jason were when they started superhero training, they tell her about their past lives. About the danger it will bring if they’re found. Because they promised never to lie to her, and to never let her get wrapped up in the vigilante scene.

They’re well adjusted people raising a normal daughter.

And they explain to Lian that they came from very large and complicated families. Families that did dangerous work, work that put anyone who knew about it at risk. And that Lian was a baby, and that all of that risk of their jobs, was not worth her life. That they loved her more than their families, their jobs, their previous lives. But that it meant they could be discovered, and that those old lives would be dragged back up again and she could get hurt.

Lian thinks of it like witness protection.

So Lian memorizes code names and pictures of people that may try and approach her. She learns the differences between friendlies and uglies. Between ex-family, and rogues. And she doesn’t ask questions, doesn’t look into things when her parents ask her not to. Because she trusts them to protect her. She trusts them like a well adjusted young girl who could very well ask her parents for more information, but doesn’t care about the answers because she trusts they’re not important. That it doesn’t change how much they love her or what their lives are.

There are a couple of versions of this:

1. Jason, Roy and Lian live out their lives happily and away from their families. They are never again vigilantes or found out by them.

A) Alfred dies and that is the only thing that almost breaks Jason, that he didn’t get to see the man again before he died.

2. The Bats track them down, ask them what they hell they were thinking, that they thought they were dead. To come home, be part of the family again. They’re told no - and the three of them disappear again to somewhere they’ll never be found.

3. Alfred finds them, says nothing to anyone and once a year, on Lian’s birthday, goes to visit. None of the Bats ever figure it out.

4. Alfred knows where they’re going from the beginning, he keeps them updated on their families and helps hide them from everyone. He never once tells a soul that Jason and Roy are alive. He is allowed to visit Lian sometimes and they are all happier for it.

A) When Alfred gets old enough, he tells Bruce he will be retiring. He asks that he is not followed, that no one from the super hero community is allowed to keep tabs on him. He tells him he’s sorry, but that it has to be this way. Alfred goes and lives the end of his life with Jason, they speak about literature every day, about Alfred’s parents about anything he wants to. Jason buries Alfred in England and Bruce Wayne gets an unmarked alert to its location.

5. The Bats find them, and never approach them. Each Bat basically figures out that Jason is alive, doesn’t say anything to the rest of the family, and keeps tabs on him and Roy. Once they realize that Lian exists, none of them ever breach that level of trust, even as they all grow into old age and move on with their lives.

6. Bruce finds them.

A) He waits for Jason in a cafe, watches him realize who he is and turn to look at the Roy Harper, who nods once and walks away. Jason approaches him and sits down. He asks how he found them. Bruce doesn’t say anything, just looks at his son, alive, seemingly happy. Tells him it was an accident, he had genuinely still thought they were in space, maybe dead, until someone plagiarized Jason’s work, submitted it through a Wayne Enterprises competition of some sort, and it flagged the system. It had been entirely work related, pure coincidence. No capes.

B) And Jason laughs and it’s lighter than Bruce has heard it in years. Jason asks how much Bruce knows about him now, how much intel he gathered before approaching him. Bruce says he knows about their marriage, their daughter, their jobs and habits. Jason nods and he’s smiling. Bruce doesn’t know what to do. He had checked the area, and there were no reports of anything approaching vigilantism, no anonymous casework, no decrease in crime, nothing to suggest the presence of the Red Hood and Arsenal. He hasn’t spoken to Jason outside of business in years, isn’t sure he knows how to anymore. And he looks happy, he’s alive, he’s a civilian.

C) He wants to ask him everything, ask him to come home, wants to know the man his son became. He asks Jason why. Why they disappeared. And Jason is still smiling and it’s honest and Bruce can’t stand to look at him and can’t help it either. So Jason tells him that they will never let their daughter into vigilantism. That they quit, and needed it to be absolute. That he and Roy couldn’t do this halfway, that if they loved their daughter they had to do only what was best for her, and that meant burning their old lives entirely, becoming civilians.

D) Their lives had been too complicated, too many people, too much history. So many ways for things to go badly, to leave Lian without parents or get her killed as leverage against them. And for as much as he and Roy had cared about the people in their lives, couldn’t stop caring about them, they knew that they would just drag Lian into all of the emotional problems that come with being a vigilante. That it wasn’t healthy, for any of them. That trying to do so would kill them. So they disappeared. And Bruce thinks of the pain he and his family had gone through over Jason, wondering how he was doing, if he was dead, hearing nothing and trying not to let it eat at them. But right now, his son is in front of him smiling, something he can’t seem to stop doing. Something Bruce never thought he’d see again.

E) And he has a son in law, a granddaughter. His son has a family, one he built himself. He looks healthy, he’s not closed off, he’s more open than Bruce thinks he’s ever seen him. It’s jarring, like Bruce is wrong footed. He doesn’t know what to say. Wants to tell him about everything that’s happened, to his brothers to their family, to Gotham and old contacts. Wants him back in the loop. Wants to ask about their lives, and college, and his wedding and his daughter. Bruce wants to know all of it. And he wants to know how he did it, how he hid himself so well in plain view.

F) And the detective in him will always prioritize the how over everything else. He wouldn’t be Bruce if he didn’t. So Bruce asks how. And Jason laughs, says he’s not going to tell him.

G) You know I can’t tell you that, old man.

H) He can’t let it go, Bruce can never let anything go, that’s his burden to bear. He tries to push old buttons, doesn’t notice he’s doing it. But Jason won’t stop smiling, won’t switch from civilian to vigilante. There is no trace of anger, of the Red Hood. He doesn’t look surprised and Bruce’s arguments, about flaws in his code, software, he’s just smiling. Won’t rise to the bait. And for once, Bruce has a feeling he’s only felt around Clark. A feeling of being outmatched. Jason knows all of his buttons, isn’t pushing a damn one. Isn’t letting Bruce push his either. It’s not even a stalemate. Bruce has no openings.

I) He starts telling him about his brothers, about missions and life developments. He tries to tell Jason everything. And Jason listens, hears everything he has to say. And Bruce asks him about himself, his life, his husband, his daughter. And he hears about NA and AA meetings, about therapy and raising an infant, and being a professor and his students about their friends and neighbors, about Lian’s friends at school. All of it. Except the how. And at some point, it’s been a couple of hours, but not very long at all, Jason gets a text. He doesn’t look at his phone. And Bruce knows that whatever spell had been cast over the cafe, whatever bubble of another universe he had crossed into, he was about to watch it close. Implode on itself with only him inside. Because Jason was about to leave. All of it, the cafe, the conversation, the smiling and the laughter, it was the one distraction that Bruce was liable to. And Jason has him right where he wanted him. It was something that wouldn’t work twice, and they both knew it.

J) And Jason says, I can’t stop you from telling anyone. I can’t stop any of you from looking for us, but this was the third life of mine that you ended. Of the two of us, I would go to greater lengths to protect my daughter. I am asking you not to make me do something you’ll regret. I am asking you not to look for us, not to tell anyone, not to put it in a report. I did not want to hurt you, any of you. And you have made that unavoidable. I know you, Bruce, and I have spent time healing from everything I’ve been through. I cannot allow you to pull me back into it, to pull the three of us back into your world. I know that this conversation won’t stop you, now that you know. So I’m sorry, I didn’t want to have to say this. I know who you are, who all of you are. It was never a question before, that I would keep your secrets. If you look for us, I will go public. It’s not just your life I’ll be placing at risk, it will be the entire league. I will burn every bridge, every alias. I have redundancies in place, you send a super my way you better be sure to send them all. You better be sure you’ve caught all my backups, all of Roy’s backups, everything. We have avoided you for years without triggering any of your, or the league’s, systems. I can’t predict another accident, but if you know what is best for you and everything you’ve built, you will prevent even that from happening. Do not force my hand.

K) Bruce stands, trying to memorize his son’s face. And then Jason is gone. Disappearing down a street and out of sight. And Roy is waiting for him, their house had been cleared of all traces, Talia has new lives set up for them and Lian is asleep in the backseat.

L) Their lives are busy for the next few weeks, traveling and covering their tracks and looking for new methods of being traced. And they change their names, change their lives, are prepared for the upheaval of being new people again. This time, it sticks. They watch Lian graduate school, college, get married, have children of her own. And the media is inescapable - they learn very little about their old families lives, but not nothing. There are funerals and weddings and probably so much more in private, things they will never know, never be part of again. And then they’re just old and together. Their grandkids visit, Lian visits, life is good and long and they are happy.

• Or, it sticks until one day, a spell is cast in Gotham and he’s standing on a rooftop, no mask, identity on full display, surrounded by other vigilantes in mixed states of gear and civilian status. Some being or other from another universe required all hands on deck in this universe and had used a spell to summon them all here.

• Jason spotted Roy appearing near him on the rooftop, both of them stunned. No one had noticed them yet, but their moment of indecisiveness and a moment of pure awareness on the Batfam’s part, meant there would be an inescapable confrontation. Batman seemed to notice them first and looked to Jason, who shook his head. It appeared Batman was trying to talk to the person who had summoned them all here, to argue they should be sent back or ask if it was possible.

• Jason moved himself and Roy towards Batman, doing their best to avoid looking at any of the other vigilantes at all, including but especially family. They walked into a tense conversation.

• You must send them back, they are civilians.

• Batman, you of all people understand the threat we are up against, if the spell believes they are necessary to combat X then they were brought here.

• I understand perfectly well, I am telling you to send them back. Having them here is a security risk, not during the fight, but after. This is not your universe, things are different in ways you can’t know of, this is one of those circumstances.

• Jason and Roy approach, Roy tapping his shoulder in a way that means he’ll follow his lead.

• He announces, You are in violation of the Hempstead agreement. You have one hour to return us to our previous location before we are a security risk.

• They can hear intakes of breath around them, some of the arrow clan and bat clan have approached, uncertain of what exactly is happening, but not comforted by the fact that Batman seems to understand the situation without telling any of them. The argument continues, Jason standing just behind Roy, separating him from the group slowly forming around them, people pushing their way to the center to see their son or brother again. Their friends.

• A decision is reached, It will take me 10 minutes to establish a connection strong enough to send them both through. Do not interrupt me while I prepare, follow me.

• And Jason and Roy are walking away, backs turned to their families. To their friends. There are shouts behind them, their names, other things they choose not to hear. It is all held at bay by Batman.

• They are speaking with the universe hopper, giving him a location to send them while clearly stating that he is not to give out that location to any of the vigilantes here, that violation of these terms will risk the hero community at large. The closer it gets to the ten minute mark, the more the riot behind them frays between silent understanding and desperation. Neither of them turns around, they can’t allow themselves to look. It is excruciating.

• Roy looks Jason in the eye and neither of them are fully able to stand it, but the fact that they’re not alone has to be enough. Jason can see the itch start, the overwhelming feeling that can’t be tolerated, the one that motivates people to seek out something that will just stop. He reaches out his hand, taps it against Roy’s and is met with one of the worst smiles he’s ever seen. It threatens to bring Jason to his knees, but Roy threads their hands together. The portal opens before them and without turning around, they step through.

• There is a shared panic attack, a moment of grief and regret where both of them realize just how greatly they hurt all of the people they used to care about. They break apart together and rebuild each other enough to pick up Lian from school and begin the process of torching their home. Whatever fight they had been summoned for had not happened yet, so they had a larger lead time than they had when Bruce had stumbled across them. But now, the entire hero community, many more points of being able to be convinced, was now aware they were both alive and on Earth.